These are some of my favorites from the last couple of days. For the florals, first I make the bead or vessel and anneal overnight. Then I draw a black outline with pen and glass ink and fire/anneal overnight. Next I delicately color the drawing and put everything back into the kiln to again fire and anneal overnight. Sometimes there is something on the other side, so I repeat that entire double process again. And sometimes tragedy strikes, such as this afternoon when I started to paint the red fuchsias on a bird vessel only to notice that the wing was cracked wide open. Putting glass through the kiln repeatedly like this is stressful, and sometimes (more than I'd like) I lose a beautiful piece.
I have to consider it an offering to the kiln goddess, and an opportunity to take a piece to the Gathering to show why I'm asking what may seem very high prices for these complicated pieces.


